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英語論文開題報告范文

時間:2022-10-26 00:21:10

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英語論文開題報告

第1篇

英語論文開題報告范例 一、論文題目:Classroom Interaction And Oral English Teaching

二、研究現(xiàn)狀:

對于課堂互動與英語口語教學之間的關(guān)系,國內(nèi)的研究主要集中在:

(1)構(gòu)建主義模式 它是以構(gòu)建主義理論為基礎(chǔ)的互動模式,司洪海在《構(gòu)建主義理論與英語口語教學》中從對現(xiàn)有教學模式的反思入手,探討將構(gòu)建主義引入英語課堂教學的必要性、可行性及其意義和作用。盧艷春和路雅琴在《構(gòu)建主義與大學英語口語課堂教學》中則分別從構(gòu)建知識觀構(gòu)建學習觀構(gòu)建教學觀入手,強調(diào)以學生為中心的主動性、構(gòu)建性。

(2)角色扮演模式 徐志敏、王瑛在《大學英語課堂互動教學中角色扮演探究》中著重探討了在角色扮演的互動教學中教師的作用,對指導教學實踐具有重要的意義。而黃玉蘭在《角色扮演引入英語專業(yè)口語教學中》從角色扮演是多為互動英語口語教學模式的應用探討了角色扮演這一教學方法的目的、步驟和利弊等方面。

(3)以學生為中心模式 這一模式被單獨研究的較少,黃影秋在《以學生為中心提高英語口語課堂教學效果的探索中》通過對學生口語課堂學習存在的問題的分析,提倡以學生為中心,實現(xiàn)教與學的雙邊互動。并提出闡述如何運用其他教學策略提高口語的教學效果,促進學生交際能力的提高。而劉蓉在《談英語口語課堂互動》中則提出了互動可以創(chuàng)造以學生為中心的口語課堂和整體小組作業(yè)模式,提高口語交際能力。

(4)合作性學習模式 這種模式的研究較為普遍和盛行,它興起于美國,在后來取得實質(zhì)性的進展的一種教學理論與策略。黃艷在《合作性學習在大學英語課堂的應用》中提出了以下幾種合作模式,從而的出該模式的優(yōu)勢所在。顧曉樂在《合作性學習與情景劇表演》中從情劇表演的角度來證明合作性學習的有效性。肖巧玲在《大學英語口語教學中的合作學習》中則通過合作學習在口語教學中的實踐探究合作學習應注意的原則。而慕東文在《合作性學習的特點、目標、內(nèi)容和實踐策略》一文中,他用人文精神和平等民主合作原則,對待新的理念,指導英語口語教學。

(5)情景設置模式 它主要是根據(jù)Gillian Brown George Yuled的語言情景對第二語言習得者的交際緊張、焦慮的研究表明口語情景設置不適當,會影響學生用目標語進行交流,進而強調(diào)進行口語教學情景設置的重要性。張舍茹、孫邊旗在《英語口語教學的情景設置》中就論述我們應注意情景互動教學中應遵循的原則,及如何設置英語口語教學中情景設置的形式兩個小方面局部性的探討了情景設置這種互動模式。孫久榮在《論英語口語課的情景教學》中對情景設置這個模式從宏觀上進行了分類,進而得出開放式情景和封閉式情景,為情景設置互動模式研究開辟了一個小領(lǐng)域。

三、研究的目的及意義:

通過對目前已經(jīng)發(fā)展起來并比較成熟的幾種互動模式的歸納來看:關(guān)于人際互動這種互動模式在目前的互動性研究中被單獨研究還比較少,沒有被當作一種獨立的模式應用到英語口語課堂教學中,它更多的是被貫穿到其他幾種互動模式當中。因此,本論題認為它還有進一步研究的空間。

四、研究的理論依據(jù)和研究方法:

本論題將以教育心理學的理論為基礎(chǔ),以互動理論和構(gòu)建主義理論為依據(jù),運用歸納總結(jié)的方法對已有的研究進行宏觀上的概述,從而引出本文論題,通過例證分析、驗證人際互動模式對課堂英語口語教學效果的提高所具有的重要意義。

五、提綱:

Introduction

Chapter One Definition and Theoretical Basis of Interaction

1.1 Definition of Interaction

1.2 Theoretical Basis of Interaction

1.3 Some Main Interactive Modes in the Present Classroom

Chapter Two The Necessity And The Principles of Following InteractionTeaching Mode

2.1 The Disadvantage of Traditional Oral English Teaching Mode

2.2 The Necessity and Merit of Taking InteractionTeaching Mode

2.3 Oral English InteractionTeaching Mode Should Follow the Principles

Chapter Three Personal Interaction in the Oral English Teaching

3.1 The Relationship Between the Teacher and Students

3.2 Two Types of Personal Interaction

3.3 Classroom Climate

3.4 Classroom Size

Chapter Four The Evaluation of the Interactive Oral English Teaching Mode

4.1 Some Principles Should Follow When Evaluating

4.2 The Concept of Evaluating

4.3 The Technology of Evaluating

Conclusion

六、參考文獻

Jonssen, DHThinking Technology: Toward a Constructivist Design Model .Educational Technolgy. 3 (1994): 3435.

Littlewood, William. Communicative Language Teaching .Cambridge: Cambridge University Press .1981.

盧艷春, 路雅琴。構(gòu)建主義與大學英語口語教學。 前沿雜志。 11 (2006):98100.

司洪海。構(gòu)建主義理論與英語口語教學。 基礎(chǔ)英語教育。 4 (2005):89.

吳蕾。構(gòu)建主義在英語口語教學中的應用。() 東華大學學報(社科版)。7 (2007):2324.

范雄飛, 黃玉蘭。把角色扮演引入英語專業(yè)口語教學之中。讀與寫雜志。 9 (2006):3537.

徐志敏, 王瑛。大學英語課堂互動教學中角色扮演探究。 外語研究。 8 (2006):5657.

黃影秋。以學生為中心提高英語口語課堂效果。 濟南職業(yè)學院學報。 3 (2007): 8188.

何亞娟。中學英語課堂互動教學的探索與實踐。 渭南師院學報。 12 (2004): 7273.

顧曉樂, 黃芙蓉。合作學習與情景劇表演。 國外外語教學。 2 (2004):5556.

黃艷。合作性學習在大學英語課堂的應用。 長沙大學學報。 10 (2007):145146.

慕東文。合作性學習的特點、目標、內(nèi)容和實踐策略。 甘肅農(nóng)業(yè)。 6 (2006):304305.

第2篇

1 introduction

the intention of this study is to explore possible advantages of descriptive translation studies as in its application in translation practice and translation analysis.

since early 20th century, translation studies gradually broke away from the marginal status within other related disciplines and established itself as an empirical science. from then on, schools of thought have kept coming out and each claims its legitimacy for existence. among these schools is descriptive translation studies (dts).

dts approaches translation from an empirical perspective. translation is viewed to be a social activity having significant importance in the receiving culture and for the target community. therefore, translation is dealt with beyond the linguistic realization and language comparison, and is incorporated in social and cultural context.

my attention was first directed to dts by its peculiar characteristic of observation, description and explanation. the subject is whatever happens in translation practice, from the determination of prospective function of translation to the process of translator’s choice of strategies, brainstorming and the revision, to the final product making appearance in the target community.

the method of dts is basically descriptive. the prescriptive tendency and the problem-solution pattern is abandoned. translation phenomena are noted down. with accumulated data, some underlying truths about translation will come out which will prove to be instructive not only for theoretical probe but also for applied translation practice. i will apply this descriptive method in the case study of this thesis.

a convenient tool has been set up to conduct dts. “norm” is operative at every stage of description and explanation. function, process and product and their relationship as well are skeletal structure of what constitute descriptive studies. translation phenomena are accounted for with the help of norm.

the case taken in this thesis is the chinese classic the dream of red mansions. two english versions translated respectively by yang hsien-yi and david hawks are compared and observations are made in regard to their translation approaches.

in this regard, my observations are limited to several aspects, i hope in-depth observation and explanation will done in light of dts.

2 outline

2.1 development and major concepts of dts

in this part i will describe holms’ basic map of dts and the relationship between function, process and product. i will also discuss some important concepts such as pseudo-translation, multiple translation, translationese, norm etc.

2.2 methodolgy

i will in this part discuss the methodology of dts before i apply the same to the case study in this thesis with emphasis to be placed on semiotic approach and the concept norm.

2.3 dts in contrast to other theories

a contrast study will be conducted here with the objective to find the difference of dts from other theories such as equivalence theory and the chinese xin da ya criteria. some advantage will possibly be shown in this study.

2.4 case study

in this part, translation of the dream of red mansions (also translated as the story of the stone) will be under investigation in light of dts. translation samples to be quoted here will be selected at random.

2.5 conclusion

based on the above elaboration of dts and the case study, possible conclusion will be on the advantage of dts in specific study of translation. suggestions on further research efforts will be made also.

(note: while the topic will remain the same, the above arrangement of contents is subject to change in the process of writing.)

0000

- 引文范例(僅供參考)

“it is therefore pointless to try to make tc more scientific than is sensible in view of its complex subject-matter and available methods. translating is a mental, multi-factorial activity which cannot exhaustively be investigated within a linguistic framework ignoring the person of the translator.”(wilss, 1982: 217)

‘“噢,這就是恐水病吧?你們貴族圈子怎么流行起這種病來啦?真夠嗆的!費芬斯小姐,您喝點茶大概沒關(guān)系吧!”’(張南峰,1990:59-60)

附錄3- 參考文獻范例(僅供參考)

wilss, wolfram. the science of translation – problems and methods. gunter narr verlag tubingen,1982.

newmark, peter. a textbook of translation. new york: prentice hall, 1988.

delabastita, dirk. translating puns: a false opposition in translation studies. target, 1991(3:2):137-152.

專 業(yè): 研究方向: 作 者: 導 師: 寫作時間: —

對外經(jīng)濟貿(mào)易大學英語學院

(英文)school of international studiesuniversity of international business and economics

pragmatic strategies in advertising: implicatures

wang ying

第3篇

二、研究現(xiàn)狀:

對于課堂互動與英語口語教學之間的關(guān)系,國內(nèi)的研究主要集中在:(1)構(gòu)建主義模式 它是以構(gòu)建主義理論為基礎(chǔ)的互動模式,司洪海在《構(gòu)建主義理論與英語口語教學》中從對現(xiàn)有教學模式的“反思”入手,探討將構(gòu)建主義引入英語課堂教學的必要性、可行性及其意義和作用。盧艷春和路雅琴在《構(gòu)建主義與大學英語口語課堂教學》中則分別“從構(gòu)建知識觀”“構(gòu)建學習觀”“構(gòu)建教學觀”入手,強調(diào)以學生為中心的主動性、構(gòu)建性。(2)角色扮演模式 徐志敏、王瑛在《大學英語課堂互動教學中角色扮演探究》中著重探討了在角色扮演的互動教學中教師的作用,對指導教學實踐具有重要的意義。而黃玉蘭在《角色扮演引入英語專業(yè)口語教學中》從角色扮演是“多為互動英語口語教學模式的應用”探討了角色扮演這一教學方法的目的、步驟和利弊等方面。(3)以學生為中心模式 這一模式被單獨研究的較少,黃影秋在《以學生為中心提高英語口語課堂教學效果的探索中》通過對學生口語課堂學習存在的問題的分析,提倡“以學生為中心”,實現(xiàn)教與學的“雙邊互動”。并提出闡述如何運用其他“教學策略提高口語的教學效果”,促進學生交際能力的提高。而劉蓉在《談英語口語課堂互動》中則提出了互動可以創(chuàng)造“以學生為中心的口語課堂和整體小組作業(yè)模式”,提高口語交際能力。(4)合作性學習模式 這種模式的研究較為普遍和盛行,它興起于美國,在后來取得實質(zhì)性的進展的一種教學理論與策略。黃艷在《合作性學習在大學英語課堂的應用》中提出了以下幾種合作模式,從而的出該模式的優(yōu)勢所在。顧曉樂在《合作性學習與情景劇表演》中從情劇表演的角度來證明合作性學習的有效性。肖巧玲在《大學英語口語教學中的合作學習》中則通過合作學習在口語教學中的實踐探究合作學習應注意的原則。而慕東文在《合作性學習的特點、目標、內(nèi)容和實踐策略》一文中,他用“人文精神和平等民主合作”原則,對待新的理念,指導英語口語教學。(5)情景設置模式 它主要是根據(jù)gillian brown & george yuled的語言情景對第二語言習得者的交際緊張、焦慮的研究表明口語情景設置不適當,會影響學生用目標語進行交流,進而強調(diào)進行口語教學情景設置的重要性。張舍茹、孫邊旗在《英語口語教學的情景設置>>中就論述我們應注意“情景互動教學中應遵循的原則”,及如何設置“英語口語教學中情景設置的形式”兩個小方面局部性的探討了情景設置這種互動模式。孫久榮在《論英語口語課的情景教學》中對情景設置這個模式從宏觀上進行了分類,進而得出“開放式情景”和“封閉式情景”,為情景設置互動模式研究開辟了一個小領(lǐng)域。

三、研究的目的及意義:

通過對目前已經(jīng)發(fā)展起來并比較成熟的幾種互動模式的歸納來看:關(guān)于人際互動這種互動模式在目前的互動性研究中被單獨研究還比較少,沒有被當作一種獨立的模式應用到英語口語課堂教學中,它更多的是被貫穿到其他幾種互動模式當中。因此,本論題認為它還有進一步研究的空間。

四、研究的理論依據(jù)和研究方法:

本論題將以教育心理學的理論為基礎(chǔ),以互動理論和構(gòu)建主義理論為依據(jù),運用歸納總結(jié)的方法對已有的研究進行宏觀上的概述,從而引出本文論題,通過例證分析、驗證人際互動模式對課堂英語口語教學效果的提高所具有的重要意義。

五、提綱:

introduction

chapter one definition and theoretical basis of interaction

1.1 definition of interaction

1.2 theoretical basis of interaction

1.3 some main interactive modes in the present classroom

第4篇

一、論文題目:classroominteractionandoralenglishteaching

二、研究現(xiàn)狀:

對于課堂互動與英語口語教學之間的關(guān)系,國內(nèi)的研究主要集中在:(1)構(gòu)建主義模式它是以構(gòu)建主義理論為基礎(chǔ)的互動模式,司洪海在《構(gòu)建主義理論與英語口語教學》中從對現(xiàn)有教學模式的“反思”入手,探討將構(gòu)建主義引入英語課堂教學的必要性、可行性及其意義和作用。盧艷春和路雅琴在《構(gòu)建主義與大學英語口語課堂教學》中則分別“從構(gòu)建知識觀”“構(gòu)建學習觀”“構(gòu)建教學觀”入手,強調(diào)以學生為中心的主動性、構(gòu)建性。(2)角色扮演模式徐志敏、王瑛在《大學英語課堂互動教學中角色扮演探究》中著重探討了在角色扮演的互動教學中教師的作用,對指導教學實踐具有重要的意義。而黃玉蘭在《角色扮演引入英語專業(yè)口語教學中》從角色扮演是“多為互動英語口語教學模式的應用”探討了角色扮演這一教學方法的目的、步驟和利弊等方面。(3)以學生為中心模式這一模式被單獨研究的較少,黃影秋在《以學生為中心提高英語口語課堂教學效果的探索中》通過對學生口語課堂學習存在的問題的分析,提倡“以學生為中心”,實現(xiàn)教與學的“雙邊互動”。并提出闡述如何運用其他“教學策略提高口語的教學效果”,促進學生交際能力的提高。而劉蓉在《談英語口語課堂互動》中則提出了互動可以創(chuàng)造“以學生為中心的口語課堂和整體小組作業(yè)模式”,提高口語交際能力。(4)合作性學習模式這種模式的研究較為普遍和盛行,它興起于美國,在后來取得實質(zhì)性的進展的一種教學理論與策略。黃艷在《合作性學習在大學英語課堂的應用》中提出了以下幾種合作模式,從而的出該模式的優(yōu)勢所在。顧曉樂在《合作性學習與情景劇表演》中從情劇表演的角度來證明合作性學習的有效性。肖巧玲在《大學英語口語教學中的合作學習》中則通過合作學習在口語教學中的實踐探究合作學習應注意的原則。而慕東文在《合作性學習的特點、目標、內(nèi)容和實踐策略》一文中,他用“人文精神和平等民主合作”原則,對待新的理念,指導英語口語教學。(5)情景設置模式它主要是根據(jù)gillianbrown&georgeyuled的語言情景對第二語言習得者的交際緊張、焦慮的研究表明口語情景設置不適當,會影響學生用目標語進行交流,進而強調(diào)進行口語教學情景設置的重要性。張舍茹、孫邊旗在《英語口語教學的情景設置>>中就論述我們應注意“情景互動教學中應遵循的原則”,及如何設置“英語口語教學中情景設置的形式”兩個小方面局部性的探討了情景設置這種互動模式。孫久榮在《論英語口語課的情景教學》中對情景設置這個模式從宏觀上進行了分類,進而得出“開放式情景”和“封閉式情景”,為情景設置互動模式研究開辟了一個小領(lǐng)域。

三、研究的目的及意義:

通過對目前已經(jīng)發(fā)展起來并比較成熟的幾種互動模式的歸納來看:關(guān)于人際互動這種互動模式在目前的互動性研究中被單獨研究還比較少,沒有被當作一種獨立的模式應用到英語口語課堂教學中,它更多的是被貫穿到其他幾種互動模式當中。因此,本論題認為它還有進一步研究的空間。

四、研究的理論依據(jù)和研究方法:

本論題將以教育心理學的理論為基礎(chǔ),以互動理論和構(gòu)建主義理論為依據(jù),運用歸納總結(jié)的方法對已有的研究進行宏觀上的概述,從而引出本文論題,通過例證分析、驗證人際互動模式對課堂英語口語教學效果的提高所具有的重要意義。

五、提綱:

introduction

chapteronedefinitionandtheoreticalbasisofinteraction

1.1definitionofinteraction

1.2theoreticalbasisofinteraction

1.3somemaininteractivemodesinthepresentclassroom

chaptertwothenecessityandtheprinciplesoffollowinginteraction-teachingmode

2.1thedisadvantageoftraditionaloralenglishteachingmode

2.2thenecessityandmeritoftakinginteraction-teachingmode

2.3oralenglishinteraction-teachingmodeshouldfollowtheprinciples

chapterthreepersonalinteractionintheoralenglishteaching

3.1therelationshipbetweentheteacherandstudents

3.2twotypesofpersonalinteraction

3.3classroomclimate

3.4classroomsize

chapterfourtheevaluationoftheinteractiveoralenglishteachingmode

4.1someprinciplesshouldfollowwhenevaluating

4.2theconceptofevaluating

4.3thetechnologyofevaluating

conclusion

六、參考文獻

jonssen,dh..thinkingtechnology:towardaconstructivistdesignmodel[j].educationaltechnolgy.3(1994):34-35.

littlewood,william.communicativelanguageteaching[m].cambridge:cambridgeuniversitypress.1981.

盧艷春,路雅琴.“構(gòu)建主義與大學英語口語教學.”前沿雜志.11(XX):98-100.

司洪海.“構(gòu)建主義理論與英語口語教學.”基礎(chǔ)英語教育.4(XX):8-9.

吳蕾.“構(gòu)建主義在英語口語教學中的應用.”東華大學學報(社科版).7(XX年):23-24.

范雄飛,黃玉蘭.“把角色扮演引入英語專業(yè)口語教學之中.”讀與寫雜志.9(XX):35-37.

徐志敏,王瑛.“大學英語課堂互動教學中角色扮演探究.”外語研究.8(XX):56-57.

黃影秋.“以學生為中心提高英語口語課堂效果.”濟南職業(yè)學院學報.3(XX年):81-88.

何亞娟.“中學英語課堂互動教學的探索與實踐.”渭南師院學報.12(XX):72-73.

顧曉樂,黃芙蓉.“合作學習與情景劇表演.”國外外語教學.2(XX):55-56.

黃艷.“合作性學習在大學英語課堂的應用.”長沙大學學報.10(XX年):145-146.

慕東文.“合作性學習的特點、目標、內(nèi)容和實踐策略.”甘肅農(nóng)業(yè).6(XX):304-305.

第5篇

漢口學院本科畢業(yè)論文(設計)開題報告表

院(系)名稱專業(yè)名稱年級

外國語學院英2009肖靜語級靜

學生姓名學號

2009932125劉麗

指導教師姓名

填表時間:

2012年12月24日

擬選題目選題依據(jù)及研究意義TheScarletLetterisan1850romanticworkoffictioninahistoricalsetting,writtenbyNathanielHawthorne.Itisconsideredtobehismagnumopus.Setin17th-centuryPuritanBoston,Massachusettsduringtheyears1642to1649,ittellsthestoryofHesterPrynne,whoconceivesadaughterthroughanadulterousaffairandstrugglestocreateanewlifeofrepentanceanddignity.Throughoutthebook,Hawthorneexploresthemesoflegalism,sin,andguilt.Hawthorneisafamousromanticnovelistofthe19thcentury,hewasadeptatusingromanticimagination,symbolism,aplentyofmoralsubjectivecolorandPsychologicalanalysistoexploretheinnerworldofthecharactersandpresentthetheme.InhismasterpieceTheScarletLetter,Hawthornemakesfulladvantagesofthoselanguageskills.Mostimportantly,symbolismisthroughoutthewholenovelandhasvarietiesmeaning.So,Hawthorneisregardedasapioneerofthemodernsymbolismliterary.ThisthesisbrieflyfocusesonanalyzingthosesymbolismsinTheScarletLetter.Symbolismisakindofspeechwhichdependsontheinnerlinkoftwothings,usessomespecificimagestopresentabstractconcepts,thoughtsandemotions.Symbolismplaysaveryimportantroleinliterarywriting.Itbringsaloftysignificancetothearticleandmakesthearticlehaveasubtleandprofoundtheme.ThisthesisconcentratesontheapplicationofsymbolisminTheScarletLetter,whichisregardedasthemajorwritingcharacteristicinthenovel.Wecanfindsymbolisminthechangemeaningof“A”,inthesymbolofthenameofthecharacters,inthemeaningofthescenes.Itisnodoubtthatonlybyanalyzingthosesymbolismindetail,canwehaveaoverallsenseofthethemeandgetabetterunderstandingofsymbolism.

SymbolisminTheScarletLetter

選題的研究現(xiàn)狀TheScarletLetteristhefirstnovelofHawthorne,afterthebookadventin1850,Hawthornebecamefameandrecognizedasthemostimportantwriteratthattime.Further,Hawthornecalledhis“romance”as“psychologicalromance”,thisisenoughshowsthatHawthornehadpaidmuchattentiontopsychologicaldescription,thereasonwhyheattachmuchimportancetopsychologicaldescriptionisthat:ononehand,hewasaffectedbythetimesandreligious,confusedwiththespiritandthesoul,hethoughtsincethesoulhavegoodandevil,loveandhate,andhavesins,theyareshouldberevealedsoastopunishingevilandpromotingvirtue,awardingloveandsuppressinghate.Butontheotherhand,people’spsychologicaldependonpeople’sbehavior,ifwenotanalyzethecharacter’spsychologicalwecannotunderstandtheinnerofthecharacter,wewillinevitablyseemedsuperficial.Forreaderswhoareaccustomedtoreadingourtraditionaltechniquestodrawcharacters,theymayfeelThestoryrhythmistooslow,butheistheoriginatoroftheAmericanpsychologicalnovels.Aftersomanyyears,thebookalwaysunderworship,thecriticsneverstoppedconcerningaboutthisnovel.TheScarletLetterisnowrecognizedasanimmortalmasterpieces,Hawthornealsoreceivedahighrating.TheScarletLetterisan1850romanticworkoffictioninahistoricalsetting,writtenbyNathanielHawthorne.Itisconsideredtobehismagnumopus.Setin17th-centuryPuritanBoston,Massachusettsduringtheyears1642to1649,ittellsthestoryofHesterPrynne,whoconceivesadaughterthroughanadulterousaffairandstrugglestocreateanewlifeofrepentanceanddignity.Throughoutthebook,Hawthorneexploresthemesoflegalism,sin,andguilt.Indomestic,manyscholarshavedeeplyresearchedTheScarletLetter,someanalyzedit’sthemefromtheperspectiveofthesocietybackgroundandstoryStructure,somefocustheirresearchonhowwomenpursuingmarriageandamourunderthatsocietysetting,somescholarspayattentiontothesymbolismusedinthenovel,but,amajorityofscholarsputmainenergyonanalyzingthepsychology,character,imageoftheheroandheroininTheScarletLetter,byanalyzingthehumanityofthethreemaincharacters,wecanunderstandtheabominableinfluenceonhumanityresultedfromPuritanism.Inourcountry,therearemanyworksaboutresearchingthescarletletter.Forexample,Hawthorne’sfeministthoughtreflectedonHesterPrynnewrittenbyChengShuHua.PaltielguliIsaac’sworkfromChinesefeministliterarycriticismperspectiveviewHesterPrynne’simagein

TheScarletLetter.ForeignscholarshavealongerhistoryinresearchingHawthorne,intheearly1836,ParkerBenjaminpublishedthefirstarticlemadecommenceonHawthorne’sworksontheNewEnglandjournal.In1932,RandallStuarteditedandpublishedHawthorne’sAmericandiary,thispushedtheresearchofHawthornetoahigherclimax.Atthattime,theresearchbegantoinvolveHawthorne’sbeautytheoryandpoliticalpoint.In1976,Americanestablished“researchinstituteofHawthorne”especially,payattentiontoHawthorne’sromanceprinciple.SomehavesuggestedthatTheScarletLetterisfartoodescriptive,tothepointthatthewordsloosemeaning,andthereaderisdesensitizedtothemessagethattheauthoristryingtoconvey.Thisalsocausesthebooktolosepace,andturnoffreaderstoreadingHawthorne’sworkentirely.Whichissomewhatapity,consideringHawthornewasquitetheauthorinwritingshortstories,andpoems.Perhapshefeltheneedtowriteabookonthesubjectbecauseitwaspersonal,however,manyfeelitisashortstorywiththelengthandpaceofagreattome.Hawthorne’sworksreallyaregood,butsomedidfindthatthisbookdidusetoomanywordswhenjust1or2wouldhavebeensufficient.Methinksthat’smorearesultofromanticstylethanitishisindividualwordchoice.Theexcessofwordscanbefoundinotherbooksofthatera,likeFrankenstein(particularlyPercy’sedit)--MaskedSheik,6January2007(UTC).Contrarytowhatsomebelieve,thisisagoodbook,Ithinkitisfineinthemethodsofdescriptions,thoughIwillagreethatattimesyoudogetboredwithit.Thenagain,everybookhasit’slessinterestingparts.Ifyouliketofigureoutsymbolismoryouliketoseehowpeoplereactincertainsituations,psychology,itisinteresting.Oryoumightreaditduetothesimplefactthatitisrequiredforschool.Irrelevantofwhetheryouguysthinkthatthisbookisgoodornot,thecriticismsectionneedsreferences.Perhapsincludingarticlesofliterarycritics,orsomeotherdocumentedcriticismofthenovel,Justsaying“thisisagoodbook”doesn’tnegatetheneedforsuchasection,andsaying“Somehavesuggested”isborderingonweaselwords.Let’suseactualcitations,notourownopinions.AlthoughIpersonallyagreethatthisbooksucks,Iagreewiththecommentabove.Ifthearticlecontainsanyopinions(whichisdebatablewhetheritshould),theymustbebalanced,andbefromcrediblesources.(Wikipedia:Describingpointsofview).MostreviewersgaveHawthorne’snovelhighpraiseatthetimeofitspublication.EvertA.Duyckinck,oneofthemostinfluentialcriticsofhisday,calledthetalea“psychological

romance”,astudyofcharacterinwhichthehumanheartisanatomized,carefully,elaborately,andwithstrikingpoeticanddramaticpower.HealsopraisedHawthorne’sdeparturefromtheoverlyornatewritingstylepopularatthetime,whichdisplayed“artificeandeffortattheexpenseofnatureandease.”Duyckinck’sreviewwassupportedbymostwesternscholars.(Wikipedia:Neutralpointofview)

擬研究的主要內(nèi)容和思路TheScarletLetterisregardedasthefirstsymbolismnovelinAmericanliterature.Wecanfindsymbolismthroughoutthewholenovelandhavevarietiesmeaning,suchasthesymbolof“A”,thesymbolofthecharacter’sname,thesymbolofdifferentscenes,onlybyanalyzingthosesymbolismindetail,canwehaveaoverallsenseofthethemeandgetabetterunderstandingofsymbolism.Thisthesismainlyinvolvesfollowingtopics:1.IntroductiononHawthorneandTheScarletletter.1.1IntroductiononHawthorne.1.2IntroductiononTheScarletletter.1.3IntroductiononTheThemeofTheScarletLetter.2.IntroductiononSymbolism.2.1DefinitionofSymbolism.2.2CharacteristicsofSymbolism.2.2.1Polysemy2.2.2Uncertainty3.TheUsageofSymbolisminTheScarletLetter.3.1TheSymbolof“A”.3.1.1“A”standsfor“adultery”3.1.2“A”standsfor“alienation”3.1.3“A”standsfor“able”3.1.4“A”standsfor“angel”3.2TheSymboloftheCharacters.3.2.1HesterPrynne3.2.2ArthurDimmsdale3.2.3RogerChillingworth3.2.4Pearl3.3TheSymboloftheScenes.3.3.1Thescaffold3.3.2Thejailandthetomb3.3.3Thevalley4.Conclusion

研究的創(chuàng)新點及重、難點ThisthesislaystheemphasisonanalyzingsymbolismusedinTheScarletLetter.Asweallknown,TheScarletLetterisregardedasthefirstsymbolismnovelintheAmericanliterature,therearevarietiesofsymbolisminthestory,suchasthesymbolof“A”,thesymbolofthecharactersname,thesymbolofdifferentscenes.AmongThem,itisdifficulttounderstandthesymbolof“A”,because“A”variesconstantlywiththedevelopmentoftheplot,andtheyareoftenemergedinthecriticalperiodoftheplot’sdevelopment.Besides,thisthesisisontheuniquepositiontorevealthesymbolismofthescenes,whichisveryinnovative.Throughoutthewholenovel,therearedifferentscenes,carryingdifferentmeanings,thoughtheyhaveprofoundsymbolism,theyrarelybediscussed.Thisthesistryingtomakeupfortheshortageinthisaspect.

研究進程安排December20-January16:January17-February28:March7-March27:March28-April10:April11-May8:posingquestionsoftheresearchandcollectingmaterialsanalyzingthematerialsandwritinganoutlinecompletingthefirstdraftandseekingthesupervisor’sadvicerefiningthepaperaccordingtosupervisor’ssuggestionsfinalizingthethesisbasedonthesetrequirements

主要參考文獻[1]Brown,Gillian.“Hawthorne,Inheritance,andWomen’sProperty”,StudiesintheNovel23.1(Spring1991):107-18[2]Brodhead,RichardH.Hawthorne,Melville,andtheNovel.ChicagoandLondon:TheUniversityofChicagoPress,1973[3]ChangYaoXin.ed.ASurveyofAmericanLiterature[M].NanKaiUniversityPress.1990[4]GeorgeMcMichael,ed.1985,ConciseAnthologyofAmericanliterature(SecondEdition)[M].MaemillanPublishingCompanyNewYork,181.[5]Perry,R.B.PuritanismandDemocracy[M].NewYork:VanguardPress.1944.[6]霍桑.霍桑作品集——紅字[M].周曉賢,鄧延遠譯,杭州:浙江文藝出版社,1995[7]霍桑.紅字[M].熊玉鵬,賈文淵,賈文浩譯,太原:北岳文藝出版,2000[8]李儒壽.《紅字》女主人公海絲特·白蘭性格特征探析.武漢大學學報(人文科學版),2005

[9]任曉晉,魏玲.《紅字》中象征與原型的模糊性、多義性和矛盾性.外國文學研究,2000

其他說明

指導教師意見

指導教師簽名:2012年指導教師小組意見月日

第6篇

1 Introduction

The intention of this study is to explore possible advantages of Descriptive Translation Studies as in its application in translation practice and translation analysis.

Since early 20th century, translation studies gradually broke away from the marginal status within other related disciplines and established itself as an empirical science. From then on, schools of thought have kept coming out and each claims its legitimacy for existence. Among these schools is Descriptive Translation Studies (DTS).

DTS approaches translation from an empirical perspective. Translation is viewed to be a social activity having significant importance in the receiving culture and for the target community. Therefore, translation is dealt with beyond the linguistic realization and language comparison, and is incorporated in social and cultural context.

My attention was first directed to DTS by its peculiar characteristic of observation, description and explanation. The subject is whatever happens in translation practice, from the determination of prospective function of translation to the process of translator’s choice of strategies, brainstorming and the revision, to the final product making appearance in the target community.

The method of DTS is basically descriptive. The prescriptive tendency and the problem-solution pattern is abandoned. Translation phenomena are noted down. With accumulated data, some underlying truths about translation will come out which will prove to be instructive not only for theoretical probe but also for applied translation practice. I will apply this descriptive method in the case study of this thesis.

A convenient tool has been set up to conduct DTS. “Norm” is operative at every stage of description and explanation. Function, process and product and their relationship as well are skeletal structure of what constitute descriptive studies. Translation phenomena are accounted for with the help of norm.

第7篇

On Foreignization and Domestication of Cultural Factors in Translation (淺談翻譯中文化因素的異化和歸化)

On Treatment of Cultural Factors in Translation (翻譯中文化差異的處理方法)

On English Translation of Public Signs in Chinese (漢英公示語的翻譯)

On Translation of English Names of Commendation (英語商品名稱的翻譯)

The relationship between Cultural Difference and Translation Skill 中英文化差異與翻譯技巧

An Approach to the Translation of Poetic Image詩歌翻譯的意象問題探討

A Study of the Chinese Version of Titles of English Films英語電影片名漢譯研究

A Study of the Chinese Version of Titles of English Novels英語小說題目的漢譯問題

A Comparative Study of the English Version of the Poem “ Untitled “ by Li Shangyin李商隱的詩〈無題〉的英譯比較研究

Foreignization and Translation of Idioms

On Culture Translation under Foreignization

On Faithfulness in Translation

On Fidelity and Expressiveness in Translation

Interpreting and Interpreting Skills

On Literal Translation and Free Translation

The Comparison and Translation of Chinese and English Idioms

Equivalence and its Application in Translation

Cultural Equivalence in Translation

Learning a Foreign Language Through Translation

Arts in Verse Translation

A Comparative Study of Two English Version of Hong Lou Meng

On Translating the Passive Voice

On the Translation of English Long Sentences

The Social and Cultural Factors in Translation Practice

The Application of Functional Equivalence in English and Chinese Cross-cultural Translation

Exploring English-Chinese Audiovisual Translation

On Chinese Translation of Journalistic English

On the Criteria of Interpretation

On the Unit of Translation

The Cultural Differences and Arts of Translation in Advertising Language

On Transformation between Parts of Speech in E-C Translation

Exploring Substitution and Ellipsis in Translation

On English Proverbs Translation

On the Criteria of Translation

The Analysis of Translation Style

Cultural Differences and Translation Strategies

Translation and Foreign Language Yeaching

Chinglish in C-E Yranslation

A Contrastive Study of English and Chinese Allusions and their Translation

English Neologisms in Newspaper and their Translation

On Translation of Humor in Pride and Prejudice

On Features of Journalistic English and its Translation

Cultural Discrepancies and their Influences on Translation

English and Chinese Translation Song lyrics

Translation of Address Term between English and Chinese

On the Importance of Context in Translation

On the Translation of English Pun into Chinese

The Role of Dictionary in Translation

Thought Pattern and its Influence on Translation

Lexical Characteristics of Legal English and Legal Lexicon Translation

Features of Foreign Trade English and its Translation Model

On Euphemism Translation

Translation of Metaphor from English into Chinese

Features of Tourism English and its Translation

翻譯中的文化因素

影視字幕翻譯的原則

影響長句翻譯的因素

例析英譯漢中形象語言的處理

生活中廣告英語的翻譯特色

對翻譯原則“以信為本,求真求美”的思考

翻譯中的中國英語與中國式英語

南昌旅游景點中英翻譯錯誤及糾錯對策

背景知識在口、筆譯中所扮演的角色

分析商務英語翻譯的不對等性

英美文學

The Gift of Magi and Consumensm

A Brief Comment on An American Tragedy

An Analysis of the Source of Dichson's Death Poems

On The Call of the World

Love Tragedy and War—An Analysis of A Farewell to Arms

Sister Carrie and Jennie Gerhardt

The Evil of Mankind Portayed in Moby Dick

On Henry Heming in The Red Badge of Courage

Emily Dickingson and her Poems

Analysis of A Rose of Emily

The Aesthetic Interpretation of Ezra Pound's Poetry

Symbolism in The Great Gatsby

an Analysis of the theme of adventures of Huckleberry Finn

On the symbolism of The Old Men and the Sea

Some English Learner’ image of America(survey and study)

Influence of the Bible on English Literature

Deviation and Foregrounding in … (using literary works for a case study)

The Language of Shakespeare’s Sonnets, or of any particular literary works

Cultural Shocks in the English Language Textbooks

Deep Love And Deep Hate—A Brief Analysis On Wuthering Heights

Psychological Descriptions In Hemingway’s The Snows Of Kilimajaro

On Ernest Hemingway And His Novel The Sun Also Rises

Difference Between China And The West Reflected In Social Manners

鳥的贊歌--------評英國浪漫派詩歌

《呼嘯山莊》的悲劇分析

海明威英漢形象和冰山風格

《名利場》的現(xiàn)實意義

苔絲的形象分析

哈姆雷特的猶豫再探討

愛倫坡小說的藝術(shù)創(chuàng)作成就

愛倫坡小說人物塑造

O Neill劇作對美國戲劇的影響

華茲華斯的語言風格

華茲華斯的自然觀

詩人哈代

簡述哈代的悲劇性敘事藝術(shù)On Hardy's tragedy narrative art

奧斯丁與勃朗特寫作風格異同The comparison between Austen and Bronte in writing style

杰克·倫敦(或某作家)《》(某作品)評述On Farewell to Arms of Hemingway

淺析《失樂園》中撒旦的形象塑造

《還鄉(xiāng)》的悲劇藝術(shù)特色

蓓基形象再解讀

蘩漪與伯莎梅森的比較研究

愛瑪形象的魅力

海明威研究——淺析海明威筆下的女硬漢子

《苔絲》的悲劇性與現(xiàn)代性 Tragedy and Modernity in Tess of D’Urbervilles

華茲華斯詩歌的和諧觀 On the View of Harmony in Wordsworth’s Poetry

海明威小說的悲劇意識

從《老人與?!房春C魍膭?chuàng)作特點

《紅色英勇勛章》的敘述技巧分析

論《白鯨》的象征含義

論吳爾夫的《1間自己的房間》中的女權(quán)主義

論簡。奧斯汀對《愛瑪》主人公的塑造

《紅字》中的象征